The 2016 retrospective is here. A look back at a more simple period of film history and a year dominated by two films: La La Land and Moonlight. At least in the American cultural consciousness, the memorable sticking point will be the infamous Oscar blunder where Warren Beatty was handed the wrong envelope and chaos ensued. The one way the Oscars hold any cultural currency anymore? Scandal and incompetence. Only the Will Smith slap takes precedent over this wild night at the Oscar.
But, for those of us who don’t assign too much importance into the Academy’s taste, it was a varied and exciting year of cinema. Outside the confines of Hollywood, international cinema thrived. Asia produced many of the years best and continued a developing trend of the industries in those countries submitting idiosyncratic, quality work consistently. The type of filmmaking that couldn’t and wouldn’t be made in America and that’s why it’s essential to seek out films from different cultures.
As for specific genres, horror had a major resurgence in 2016. Dark, twisted worlds that don’t necessarily go by convention. The adult specialty drama was in its heyday at the tail end of 2016 and unfortunately, this increasingly niche genre of films made for adults is becoming more-and-more an afterthought. However, this year provided plenty of great examples of why these films are crucial. Animation was also phenomenal in 2016 and not only because Disney released some interesting films. It was a year of great international animated films that surpass the monopolistic American approach to cinema.
As for qualifiers, some of these films were released in US theaters in 2015, but were only made available to me in 2016. The Lobster, for example, had a 2015 release but I saw it in May of 2016, so it counts (and its Oscar campaign was for 2017). The Witch applies to this as well. Every film was checked for either Oscar eligibility in 2017 or an American release date in 2016 regardless of when it premiered.
To close out and get to the awards, we got two career defining films from American wunderkinds: Damien Chazelle and Barry Jenkins. Park Chan-wook, a legendary Korean director, gives us his magnum opus and a new career watermark. 49 years after Martin Scorsese’s first film was released, he gives us a masterpiece in Silence. Hirokazu Koreeda continually dropping quality films centered around the family. We even got a Godzilla film, done in homage to the classic creature films, directed by Hideki Anno. Comparing 2016 to most years, it’s much deeper year with some of the decades best films at the top. It’s arguably the best single year of the century.
Previous Winners:
2017: Call Me By Your Name
2018: Shoplifters
2019: Parasite
2020: Babyteeth
2021: Memoria
2022: The Banshees of Inisherin
So, without further ado…
Worst Film
Honorable Mention: War Dogs
5. X-Men Apocalypse
4. Gods of Egypt
3. The Darkness
2. Elvis & Nixon
1. Dog Eat Dog

Best Visual Effects (VFX)
Honorable Mention: Train to Busan
5. Swiss Army Men
4. Land of Mine
3. Doctor Strange
2. Arrival
1. Shin Godzilla

Best Production Design
Honorable Mention: Arrival
5. Cemetery of Splendour
4. Antiporno
3. The Salesman
2. La La Land
1. The Handmaiden

Best Ending
Honorable Mention: Silence
5. Hell or High Water
4. The Witch
3. I, Olga Hepnarova
2. Train to Busan
1. The Wailing

Best Scene
Honorable Mention: Soldier saves girls and then commits suicide, Land of Mine
5. The spirit (Moo-myeong) warns Jong-goo about the Tengu, The Wailing
4. The lingering open door shower assault, The Salesman
3. Drowning the books (My Tamako, My Sookee), The Handmaiden
2. Father Garupe refuses to apostatize on the Japanese beach, Silence
1. Lady Hideko’s reading, The Handmaiden

Best Horror Film
Honorable Mention: Seoul Station
5. Shin Godzilla
4. The Witch
3. Train to Busan
2. Creepy
1. The Wailing

Best Comedy Film
Honorable Mention: La La Land
5. My Life as a Zucchini
4. Hail, Cesar!
3. A Bigger Splash
2. The Nice Guys
1. The Lobster

Weirdest Film
Honorable Mention: Weiner-Dog
5. Kaili Blues
4. Cemetery of Splendour
3. Creepy
2. The Lobster
1. Antiporno

Most Original Film
Honorable Mention: Your Name.
5. The Handmaiden
4. Antiporno
3. Kaili Blues
2. Cemetery of Splendour
1. The Lobster

Best Score or Soundtrack
Honorable Mention: Scott Walker, The Childhood of a Leader
5. Roger Neill, 20th Century Women
4. Akira Ifukube and ShirÅ Sagisu, Shin Godzilla
3. Nicholas Britell, Moonlight
1. Jo Yeong-wook, The Handmaiden
Best Animated Feature
Honorable Mention: In This Corner of the World
5. The Red Turtle
4. Your Name.
3. A Silent Voice
2. Tower
1. The Girl without Hands

Best Makeup & Hairstyling
Honorable Mention: Train to Busan
5. Silence
4. La La Land
3. Jackie
2. The Wailing
1. The Handmaiden

Best Costuming
Honorable Mention: American Honey
5. Hail, Cesar!
4. Silence
3. La La Land
2. The Handmaiden
1. Jackie

Best Sound Mixing
Honorable Mention: Moonlight
5. La La Land
4. The Handmaiden
3. Arrival
2. Shin Godzilla
1. Silence

Best Sound Editing
Honorable Mention: Kill Zone 2 (SPL II)
5. Swiss Army Man
4. The Wailing
3. Train to Busan
2. Shin Godzilla
1. Arrival

Best Editing
Honorable Mention: Creepy, Koichi Takahashi
5. Land of Mine, Molly Malene Stensgaard, Per Sandholt
4. After the Storm, Hirokazu Koreeda
3. The Salesman, Hayedeh Safiyari
2. Silence, Thelma Schoonmaker
1. The Handmaiden, Kim Sang-bum, Kim Jae-beom


Best Cinematography
Honorable Mention: Moonlight, James Laxton
5. After the Storm, Yutaka Yamazaki
4. Land of Mine, Camilla Hjelm
3. Kaili Blues, Tianxing Wang
2. Silence, Rodrigo Prieto
1. The Handmaiden, Chung-hoon Chung

Best Adapted Screenplay
Honorable Mention: The Girl Without Hands, Sébastien Laudenbach
5. Jackie, Noah Oppenheim
4. A Bigger Splash, David Kajganich
3. Moonlight, Barry Jenkins, Tarell Alvin McCraney
2. The Handmaiden, Park Chan-wook, Chung Seo-kyung
1. Silence, Martin Scorsese, Jay Cocks

Best Original Screenplay
Honorable Mention: The Wailing, Na Hong-jin
5. Mountains May Depart, Jia Zhangke
4. Hell or High Water, Taylor Sheridan
3. Little Men, Ira Sachs, Mauricio Zacharias
2. After the Storm, Hirokazu Koreeda
1. The Salesman, Asghar Farhadi

Best Ensemble
Honorable Mention: Creepy
5. The Lobster
4. Moonlight
3. After the Storm
2. The Handmaiden
1. Silence

Best Supporting Actress
Honorable Mention: Janelle Monaé, Moonlight
5. Annette Benning, 20th Century Women
4. Molly Shannon, Other People
3. Kirin Kiki, After the Storm
2. Taraneh Alidoosti, The Salesman
1. Kim Min-hee, The Handmaiden

Best Supporting Actor
Honorable Mention: Greg Kinnear, Little Men
5. Ma Dong-seok, Train to Busan
4. Mahershala Ali, Moonlight
3. Jun Kunimura, The Wailing
2. Liam Neeson, Silence
1. Teruyuki Kagawa, Creepy

Best Actress
Honorable Mention: Sasha Lane, American Honey
5. Jenjira Pongpas, Cemetery of Splendour
4. Rebecca Hall, Christine
3. Michilina Olszánska, I, Olga Hepnarova
2. Sonia Braga, Aquarius
1. Natalie Portman, Jackie

Best Actor
Honorable Mention: Ralph Fiennes, A Bigger Splash
5. Denzel Washington, Fences
4. Kwak Do-won, The Wailing
3. Andrew Garfield, Silence
2. Hirosbi Abe, After the Storm
1. Shahab Hosseini, The Salesman

Best Overall Performance
Honorable Mention: Teruyuki Kagawa, Creepy
5. Andrew Garfield, Silence
4. Hiroshi Abe, After the Storm
3. Taraneh Alidoosti, The Salesman
2. Shahab Hosseini, The Salesman
1. Kim Min-hee, The Handmaiden

Best International Film
Honorable Mention: Land of Mine (Denmark)
5. Creepy (Japan)
4. After the Storm (Japan)
3. The Salesman (Iran)
2. The Wailing (South Korea)
1. The Handmaiden (South Korea)

Best Director
Honorable Mention: Kiyoshi Kurosawa, Creepy
5. Hirokazu Koreeda, After the Storm
4. Asghar Farhadi, The Salesman
3. Na Hong-jin, The Wailing
2. Martin Scorsese, Silence
1. Park Chan-wook, The Handmaiden

Best Picture
15. Shin Godzilla
14. I, Olga Hepnarova
13. Antiporno
12. Cemetery of Splendor
11. Train to Busan
10. Kaili Blues
9. Land of Mine
8. The Girl without Hands
7. Creepy
6. Moonlight
5. After the Storm
4. The Salesman
3. The Wailing
2. Silence
1. The Handmaiden

Full Top 30 List:



Closing
In closing, it was a great year. The Handmaiden walks away as the most awarded film in Weird Cinema’s brief history. Truly an all-time classic. As for the next retrospective, I’ll be going back to 1951 rather than a modern year. Excited to check out all the films from that year, find all the hidden gems, and come back for another Weird Cinema retrospective.
Thanks to all that read this piece and follow me on twitter: