ASC 2022 Nominees – Nightmare Alley and Tragedy of Macbeth land nominations

In the past, the group has awarded the spectacle or artistically driven films, meaning gasping wide-shots and a strong visual component to the overall storytelling, win the award. For instance, Erik Messerschmidt winning for Mank in possibly the weakest year for cinematography ever, was due to Fincher emphasizing the eye-catching compositions. He would go on to win the Oscar… … More ASC 2022 Nominees – Nightmare Alley and Tragedy of Macbeth land nominations

The Lost Daughter a staggering performance piece that gets lost in plot

The Lost Daughter is a nonconforming film with a structure that’s generally been reserved from male leads. Olivia Colman, one of the true great thespians of our time, tackles this role that paints her as an entirely unsympathetic figure, grappling with choosing freedom over responsibility. It’s the renegade father archetype depicted by a regretful yet honest woman that makes The Lost Daughter interesting. However, in attempting to unearth her character’s wounds, the script globs onto other characters’ lives and tells a less interesting plot, as opposed to the real story of Colman’s character.
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