Marnie, an off-balanced Hitchock thriller all reliant on the twist, is one of the few films he ever made that I didn’t find palatable. It’s a combination of the Jay Presson Allen screenplay forcing weird character traits and phobias that move the plot along and furthermore, Tippi Hedren’s (Marnie) exploding neuroticism actively took me out of the story. Thankfully, Marnie has some charm, as Sean Connery (Mark) adds bravado, but Marnie’s past dominates the narrative in a way that felt cheap. 
… More Marnie (1964) serves as an off-balance miss from Alfred Hitchock